Multiplex - a comic strip about life at the movies
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Tell me a story. (Looking for a prose writer for an eBook single.) — UPDATED

I want to take a foray into electronic publishing.

I am looking for a (prose) writer to provide a short story, novella or non-fiction story that I will turn into an iBooks-formatted eBook for sale (in the iBookstore), released under my Chase Sequence publishing imprint. Chase Sequence published Multiplex: There and Back Again, which won the 2014 IPBA Gold Medal for Best Graphic Novel/Drawn Book–Humor/Cartoon, so technically it is an award-winning publisher.

There is no limitation with regard to genre, but I will say that my taste in prose leans strongly toward literary fiction and non-fiction, and toward characters, psychology, and well-written prose over plot. (Margaret Atwood is my favorite writer.)

What to Submit: A pitch for a 30+ page, prose short story/novella/non-fiction piece. No comics — no picture books. If you have already written the short story, great, but it must be previously unpublished. Please include links or URLs to a resumé and examples of previous published work would be helpful, to give me a feel for your voice.

Send questions (or submissions) to gordon at multiplexcomic.com.

The Terms: No money up front, but 50% of the cover price in exchange for one year of exclusivity (from the date of publication). The writer retains all other rights to their story. These will be sold via iBooks only (at least at first), which means that Apple will get 30% and I will get 20% for my contributions: I will edit the story; I will design and produce the eBook; I will illustrate a cover for it (or hire someone else to, if I’m not the best fit for the story); I will help promote it.

Please submit your pitch before April 30, 2015. I will notify the selected writer(s) I am interested in working with as soon as possible after that.

Thanks for your interest, everyone! I’ll review the submissions and get back to the one or two people whose work I’d like to move forward with shortly. (I’ll try to respond either way, actually, but you get the idea.)


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Leonard Nimoy (1931–2015)

I was never a huge Star Trek fan, exactly. I love some of the early episodes, and I think Star Trek II: The Wrath of Khan is one of the greatest science fiction movies of all time. I enjoyed Star Trek III and IV, too, for what they were. I read a bunch of the DC Comics Star Trek stuff at that time, because my brother bought them. And I watched a bit of the Next Generation and then fell off the wagon. Kirk and Spock were my Star Trek, and the Star Trek 2–4 “era” was its peak for me, warts and all, because that’s the “era” that really hooked me. And really, for me, it was all about Wrath of Khan.

In addition to playing Mr. Spock, of course, Leonard Nimoy did a lot of other things. He was on Mission: Impossible. He directed a few movies (Three Men and a Baby!). He was a photographer. He was the voice of Civilization IV. But one thing I really loved of his was Standby: Lights, Camera, Action, on Nickelodeon from 1982–1987, which provided a behind the scenes look at movies like Star Trek III, Return of the Jedi, 2010, and more. Nimoy hosted and occasionally interviewed guests like George Lucas. As a budding film nerd in the pre-Internet Dark Ages, behind the scenes specials like Standby: Lights, Camera, Action were hard to come by. I ate that show up.

Anyway, as you’re undoubtedly aware by now, Leonard Nimoy passed away on the 27th. As cartoonists do when they’re sad about these kinds of things, I drew a picture:

Leonard_Nimoy


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Cyber Monday is stupid, but the books are on sale, anyway!

In addition to the Multiplex Book set being 25% off, the individual Multiplex books are now 20% off each — and for you digital comics readers, the PDF eBooks are on sale, as well. Check out the EXTREME SAVINGS at the Multiplex Store today!

I feel like a prostitute every time I write copy like this. Not that there’s anything wrong with that.


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“Steeping” by Gordon McAlpin

A short experimental film I made for schoolz. (Mostly) shot in 240 fps slow motion on an iPhone 6. Edited with Final Cut Pro. There are a few shots I’d have liked to redo if I wasn’t under the gun for a deadline (and hadn’t run out of tea), but… oh well.


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