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Posts Tagged ‘comedy’

 

Trailer Watch: Josh Radnor’s Liberal Arts

Josh Radnor is the weakest link on How I Met Your Mother’s script-transcending cast — his personality is like Wonder bread dipped in skim milk. So when his feature writing and directing debut happythankyoumoreplease got solid reviews, I cocked my left eyebrow, made a mental note of it and went on with my life.

His new film, Liberal Arts, doesn’t look like anything new plot-wise: “emotionally stunted man meets perfectly well-adjusted woman who gets him to open up” thing has started to feel like a (tired) genre unto itself. Even the twist seen here in the trailer — that this may or may not end up as a romantic connection (and probably doesn’t) — seems familiar, reminding me of the Natalie Portman subplot in Beautiful Girls or Lost in Translation.

But I’ve long said that plot is unimportant — that it’s not what you do, but how you do it — and the presence Elizabeth Olsen (as the too-young girl of his dreams), Allison Janney and Richard Jenkins made this interesting. And as it turned out, the trailer has a pitch-perfect tone, and there are just enough hints of something smart, something maybe just a little bit deep… so I’m intrigued.

via Chris Thilk

ParaNorman making-of featurette: “Hand-making the World”

I posted the trailer for Laika’s ParaNorman last October, and while the film still has a little way to go before its August 17th release, Focus Features has posted a making-of featurette on the official website.

I’m a huge animation nerd, and I love behind the scenes/making-of stuff, so I thought I’d post something other than a trailer or a short film just this once.

A synopsis for the zombie flick follows after the cut:
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Trailer Watch: Marjane Satrapi’s Chicken with Plums

Marjane Satrapi and Vincent Paronnaud’s animated adaptation of Satrapi’s much-heralded Persepolis was, in many ways, better than the original two-volume (in America) graphic novels. The story de-emphasized the somewhat self-indulgent second volume — and, to be blunt, it was much better drawn. (For all her storytelling skills, I don’t much care for her drawing.)

The co-directors have teamed up again for an adaptation of Satrapi’s Chicken with Plums, the story her of great-uncle, a renowned musician in 1950’s Iran.

Here’s the synopsis of the graphic novel:

We are in Tehran in 1958, and Nasser Ali Khan, one of Iran’s most revered tar players, discovers that his beloved instrument is irreparably damaged. Though he tries, he cannot find one to replace it, one whose sound speaks to him with the same power and passion with which his music speaks to others. In despair, he takes to his bed, renouncing the world and all its pleasures, closing the door on the demands and love of his wife and his four children. Over the course of the week that follows, his family and close friends attempt to change his mind, but Nasser Ali slips further and further into his own reveries: flashbacks and flash-forwards (with unexpected appearances by the likes of the Angel of Death and Sophia Loren) from his own childhood through his children’s futures. And as the pieces of his story slowly fall into place, we begin to understand the profundity of his decision to give up life.

Nasser Ali Khan is played by Mathieu Almaric (Quantum of Solace, The Diving Bell and the Butterfly) and seems to have been turned into a violinist for the film for some reason, but otherwise, several of these “reveries” make appearances in the trailer. While this film is live action, there’s an artificiality to the whole production that is really beautifully done, heightening the story to almost the level of myth. It looks beautiful.

Alongside Almaric are Edouard Baer, Maria de Medeiros, Golshifteh Farahani, Eric Caravaca, and Chiara Mastroianni. The film came out last year in France, but finally makes it to the States on August 17th.

(via Comics Beat)

Trailer Watch: Kirsten Dunst, Lizzy Caplan, and Isla Fisher in Bachelorette

Yeah, yeah, shades of Bridesmaids. But this is darker and meaner and has a really strong cast: Kirsten Dunst, Lizzy Caplan, and Isla Fisher star as a trio of horrible, horrible women whose ex-hot friend (Rebel Wilson) gets married, and the three reluctantly? bitchily? go along for the ride. Hilarity ensues — or, at least, that’s the idea.

Kyle Bornheimer, Hayes MacArthur, James Marsden, and Adam Scott star in writer-director Leslye Headland’s film, which opens on September 7th after a VOD premier in August.

The synopsis (much of which you can pick up from the trailer) follows, after the break:
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