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Review: The Incredibles & The Iron Giant

Wednesday, August 18th, 2010

The Iron Giant

Directed by Brad Bird.
Starring Jennifer Aniston, Harry Connick Jr., Vin Diesel, Christopher McDonald, John Mahoney and Eli Marienthal.

The Incredibles

Directed by Brad Bird.
Starring Craig T. Nelson, Holly Hunter, Sarah Vowell, Spencer Fox, Samuel L. Jackson, Jason Lee, Elizabeth Peña and Brad Bird.

Brad Bird’s first feature film, The Iron Giant, was a tiny masterpiece that, despite almost universal critical acclaim, slipped in and out of theaters with almost no audience whatsoever. (The film made back only half of its $50 million budget.) Loosely based on Ted Hughes’ 1968 children’s book, The Iron Man, the less-suable-by-Marvel-Comics Iron Giant is the story of Hogarth Hughes (Eli Marienthal) and his giant, monosyllabic robot (a perfectly typecast Vin Diesel) from outer space, set during the Russophobic 1950s. Sent to investigate what is initially believed to be a meteorite landing, Kent Mansley (Happy Gilmore‘s Christopher McDonald) quickly learns that something else is wandering out in the woods near the Hughes’ home. Once Mansley finds his proof, General Rogard (Frasier‘s John Mahoney) comes in to destroy the giant at all costs. At turns hilarious, poignant and thrilling, The Iron Giant gets a bit heavy-handed with its anti-gun message, but not so much so that those of us without racks on our pick-ups would be turned off.
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Review: Primer

Thursday, August 12th, 2010



Directed by Shane Carruth.
Starring Shane Carruth, David Sullivan, Casey Gooden, Anand Upadhyaya and Carrie Crawford.

We live in a pretty interesting time for movies, from a technical standpoint. They’ve become so cheap to make that any two-bit hack can get a camera, shoot his own feature and edit it on his Mac. And, here’s the best part: Hollywood will actually distribute it. This is both good and bad. You get outright crap like The Blair Witch Project, you get derivative crap like Napoleon Dynamite, and then, on a really good day, you get surprising, impressive stuff like Shane Carruth’s $7,000 debut feature, Primer.

Carruth hides his extremely low budget pretty well. Shooting it on film rather than digital video was a good choice. For the most part, he knows what to do with the camera, too — the colors are terrific, and the film is mostly well-framed, only infrequently suffering from too-eager-to-impress camerawork. Much of the dialogue in the first half hour seems to have been re-edited, with lots of shots obscuring the actors’ mouths and more shots where the voices and the mouths don’t really match up. It’s a common enough trick for avoiding extensive reshoots, but it’s not usually used as pervasively as it is in Primer‘s first act. The result is a little bizarre, but given the film’s budget, you have to overlook some of the film’s technical quirks.

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Review: Eternal Sunshine of the Spotless Mind

Monday, August 9th, 2010

Eternal Sunshine of the Spotless Mind

Directed by Michel Gondry.
Written by Charlie Kaufman from a story by Charlie Kaufman & Michel Gondry & Pierre Bismuth.
Starring Jim Carrey, Kate Winslet, Kirsten Dunst, Mark Ruffalo, Elijah Wood, and Tom Wilkinson.
Eternal Sunshine of the Spotless Mind centers on Joel (Jim Carrey), who, upon learning that his ex-girlfriend Clementine (Kate Winslet) has undergone a procedure to completely erase him from her memory, undergoes the same procedure himself — but as both his bad and good memories of her begin to fade away, he changes his mind and he begins to hide her away in other memories where she doesn’t belong, in hopes of protecting his memory of her from the erasure. It gets weirder from there.

Charlie Kaufman is without doubt the most imaginative screenwriter working in Hollywood today. His resumé gets more impressive every year: Being John Malkovich, Human Nature, Adaptation, and Confessions of a Dangerous Mind are all terrific, funny and highly imaginative movies, though each is flawed in its own way. Michel Gondry’s previous attempt to turn a Charlie Kaufman screenplay into a movie, Human Nature, though definitely enjoyable, was the weakest of the four, mostly due to surprisingly uninspired work from the director of several wonderfully inventive music videos (for Björk, Radiohead and the Chemical Brothers, among others).

With Eternal Sunshine of the Spotless Mind, working from a story developed with Michel Gondry and artist Pierre Bismuth, Kaufman improves on all of his previous scripts by adding a touching, melancholy love story, as well as several achingly beautiful, often fleeting, insights into the nature of memories and relationships. It also benefits from having the strongest ending of any of his scripts — Being John Malkovich, in particular, suffered from a somewhat disappointing final act that didn’t live up to the promise of its nearly flawless first hour. Eternal Sunshine is at the same time his most coherent, most insightful and most out-there script to date. For Mr. Gondry’s part, he has filmed not only the best Charlie Kaufman film to date, but one of the most visually exciting films in years.
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Review: THX 1138: The George Lucas Director’s Cut

Monday, August 2nd, 2010


Directed by George Lucas.
Starring Robert Duvall, Donald Pleasance, Don Pedro Colley, Maggie McOmie and Ian Wolfe.

Here are just a few of the innumerable instances that have slyly referred to this film: “THX 138” was the license plate of Harrison Ford’s car in American Graffiti, Han bluffs that Chewbacca is being transferred from cell block 1138 in Star Wars, “THX = 1138” was the answer to the equation Brain was writing on the chalkboard in the opening for Lucas’ pal Steven Spielberg’s Animaniacs cartoon series, and Dr. Jennings’ office was number 1138 in Sky Captain and the World of Tomorrow. When I first saw THX 1138 on video several years ago, I didn’t particularly care for it, but I felt that I at least got the joke, and that was worth something — sort of like when I sat through Midnight Cowboy, with the sole reward of getting the joke behind Rizzo the Rat from the Muppets TV shows and films. But when I recently sat down to watch THX 1138: The George Lucas Director’s Cut, which was released earlier this month on DVD (coinciding with a brief theatrical run), I absolutely loved it and now regret having missed seeing it on the big screen.

What changed between then and now…?
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